A number of recent discussions of Merleau-Ponty in the Anglophone tradition have drawn comparisons to contemporary debates about enactive theories of perception

نویسندگان

  • Keith Malcolm
  • Keith Allen
چکیده

This paper has two aims. The first is to use contemporary discussions of naïve realist theories of perception to offer an interpretation of Merleau-Ponty’s theory of perception. The second is to use consideration of Merleau-Ponty’s theory of perception to outline a distinctive version of a naïve realist theory of perception. In a Merleau-Pontian spirit, these two aims are inter-dependent. Merleau-Ponty’s aim in the Phenomenology of Perception is to argue that we are embodied subjects, embedded in the world. This account of beings-in-the-world is intended to overcome two pervasive distinctions: between Empiricism and Intellectualism on the one hand, and between Subject and Object on the other. Merleau-Ponty’s account of embodied subjectivity attempts to steer a middle way between the extremes of Empiricism and Intellectualism. Empiricists, like psychologists and philosophical naturalists, attempt to explain subjects and subjectivity in purely causal terms. Intellectualists, by contrast, treat subjects as either non-physical entities that coexist with purely physical objects (as Descartes and Cartesians suggest), or else as acosmic transcendental Egos—or as Merleau-Ponty often refers to them, ‘constituting consciousnesses’—that exist outside of physical space and time (as Kant and postKantian Idealists suggest). Merleau-Ponty’s account of embodied subjects as essentially embedded, meanwhile, attempts to dissolve the sharp distinction between conscious subjects and physical objects. From an ontological point of view, perceiving subjects are not immaterial, and objects are not merely physical; rather, perceiving subjects are bodily subjects, and the things that appear to us in perceptual experience are ‘burdened with anthropological predicates’ (PP 334). From a phenomenological point of view, self-awareness through the ‘body schema’ already implies awareness of our environment. We are not aware of ourselves in merely ‘positional’ spatial terms: that is, as one object amongst others located in objective space. Rather our awareness of ourselves involves a kind of ‘situational spatiality’. We are aware of ourselves as body-subjects through being aware of the ‘milieu’ in which we situated, and the possibilities for action that this milieu affords (PP 102); as such, Merleau-Ponty argues that ‘the “body schema” is, in the end, a manner of expressing that my body is in and toward the world’ (PP 103). This account of our nature as embodied, embedded subjects in turn grounds Merleau-Ponty’s theory of perception: as he says in the Introduction to Part II of Phenomenology of Perception, having outlined his account of the body in Part I, ‘The theory of the body is already a theory of perception’ (PP 209).

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

منابع مشابه

تعلیم و تربیت تجسدیافته؛ بهره‌گیری از تئوری ادراک بدنی مرلوپونتی در آموزش هنر

By rupturing and breaking away from Cartesianistic theories which have been indicating to disembodied approach, in recent years a kind of turning point from focusing on mind to attention to the body has been emerged, and embodiment has found very considerable presence in contemporary theories of education. Maurice Merleau-ponty, French phenomenologist philosopher, is known as one of the main ex...

متن کامل

An Aesthetics of Nature Consequences of Merleau-Ponty’s embodied ontology

In his courses on Nature, the French phenomenologist Maurice Merleau-Ponty clearly does not agree with Kant's antropocentrism. In particular the Kantian notion of the disinterestedness of aesthetic perception is untenable in an aesthetics of nature which is inspired by Merleau-Ponty's thought. Nature and human embodiment are seen as separated in this Kantian tradition. In Merleau-Ponty’s pheno...

متن کامل

Phenomenology of Body and Place Drawing on Merleau-Ponty Case Study: One Hundred Years of Solitude by Gabriel Garcia Marquez

Merleau-Ponty, the prominent phenomenologist of the 20th century has noted the phenomenology of perception. He argued that perception is a corporal (physical) phenomenon. In other words, it is the body which percieves not the mind. The preset study is an attempt based on Merleau-Ponty’s understanding of perception and corporeal sensibility to highlight the importance of human situatedness expre...

متن کامل

Manifestation of Alchemy Symbols in Corresponding with Islamic Mysticism and Art

From the beginning of photography, various views were presented about the relationship between the body and photography, most of which focused on body as the subject of photography. Although such views address significant aspects of photography, very few studies have concentrated on the photographer’s body in creating works of art. Focusing on the concept of bodily perception, which is a bodily...

متن کامل

Habit and embodiment in Merleau-Ponty

INTRODUCTION Merleau-Ponty (French phenomenological philosopher, born in 1908 and deceased in 1961) refers to habit in various passages of his Phenomenology of Perception as a relevant issue in his philosophical and phenomenological position. Through his exploration of this issue he explains both the pre-reflexive character that our original linkage with the world has, as well as the kind of “u...

متن کامل

ذخیره در منابع من


  با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید

برای دانلود متن کامل این مقاله و بیش از 32 میلیون مقاله دیگر ابتدا ثبت نام کنید

ثبت نام

اگر عضو سایت هستید لطفا وارد حساب کاربری خود شوید

عنوان ژورنال:

دوره   شماره 

صفحات  -

تاریخ انتشار 2018